Mesh

The Osmotic Office System

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Mesh

Year: 2016

Account: Piure

Team: Werner Aisslinger

Producer: Piure

Description

More info
Werner Aisslinger and Piure will be presenting MESH OFFICE SYSTEM at ORGATEC 2016. Breaking with tradition and making way for something new: MESH creates openness and transparency in the office. Exclusive materials are applied in a contemporary way to lend every environment an individual and luxurious note.

Slim metal profiles, powder-coated in different colours, painted or chrome-plated, perforated sheet metal and glass in various beautiful shades – MESH presents a dynamic interaction of light and colour and of plain and textured surfaces, creating a light-flooded and friendly ambience in the office.

MESH’s open and versatile nature supports a work culture characterised by networking and the free flow of information, ideas and creativity. Werner Aisslinger calls this “the osmotic office”.

The combination of open, closed and semi-transparent elements offers sufficient privacy while supporting communication. MESH is a versatile system for offices and for the commercial sector: the complex modular system includes elements for a reception area, for storage and organisation and for meetings held while standing up or sitting down. The size and aesthetics of individual solutions can be customised to match bespoke requirements.

The mix of materials used in MESH OFFICE SYSTEM is original and unique: while stained glass surfaces exude an air of luxury, the system’s characteristic perforated sheet metal elements are reminiscent of Op Art, creating an almost kinetic effect of differently sized, flowing circles.

“Openness is a key aspect in the entire range. There are many materials and textures with which the surfaces and frames can be finished or filled. MESH is open for everything”, says Piure CEO Ludger Köhler. And for those who need more privacy, the open surfaces can also be closed: optional flaps and drawer systems can be integrated into each of the differently sized modules, offering storage space for all those little everyday bits and pieces.

The range’s contemporary expression is underlined by a fresh colour concept. Dynamic elementary colours such as blue, yellow or red create a modern statement in the office and can support corporate identity. MESH OFFICE SYSTEM offers a versatility that allows total creative freedom.
You will find yourself in a green jungle scenery that absorbs you and makes you part of the furniture installation  – kind of a shift into a scenery with oversize jungle grafic panels and real plants swinging in the wind. mirrors reflect the visitors into the scenery and a partly doubelreflection from both sides generates an endless DEDON reflection world. This 2016 DEDON milan world carries off visitors for a short moment into a different mindset athmosphere and experience…

To see the masterful artistry of the Axor WaterDream 2016 including sensational design concepts for the wash basin, visit us in our showroom at Fuorisalone 2016 in Milan.What happens when Axor invites world renowned architects and designers to create their own personal mixer spout? The result: a highly individual and vibrant marriage of revolutionary materials and shapes.

To see the masterful artistry of the Axor WaterDream 2016 including sensational design concepts for the wash basin, visit us in our showroom at Fuorisalone 2016 in Milan.grafic panels ( by bureau mirko borsche ) and real plants swinging in the wind. mirrors reflect the visitors into the scenery and a partly doubelreflection from both sides generates an endless DEDON reflection world. This 2016 DEDON milan world carries off visitors for a short moment into a different mindset athmosphere and experience…

For the 20 years jubilee of the JULI armchair  lauchned for the first time in 1996 in Milan we developed the special editions together with cappellini.

The JULI chair in 1998 selected for the permannet collection of the MoMA is now relaunched in three different patterns that are applied by elaborate embroidery on the leather.
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Image credits — Piure